Platinum Hills polished the scary past for the new generation Digital trends

Jessica Biel in The Texas Chainsaw Massacre New line / New line

Fear enthusiasts are not monolithic. Bring up Rob Zombie or A24 with a bunch of them and you’ll see how different opinions can be. But in the early 2000s, it seemed like every card-carrying horror fan was on board with a new trend that united the entire genre against a common enemy, the monster. Architects of fear. If you considered yourself a true horror fan back then, there’s a good chance you hated Platinum Dunes and its series of slick and profitable horror remakes with every fiber of your being.

Founded in 2001, Platinum Dunes was a production company run by Michael Bay, the director of action blockbusters such as Terrible. Apocalypse, RockAnd bad Boys. The business plan was to finance lower budget Hollywood films with a special focus on horror. Although the company lit up (and eventually found new success with) a few major projects in its early days Purification and cleansing And A quiet place series), most of its resources were devoted to collecting the rights to the classics of the 70s and 80s, giving them a 21st-century sheen.

Platinum Hills remade five films in eight years, starting with Tobe Hooper’s Endless Nightmare at the Slaughterhouse. The Texas Chainsaw Massacre. After the October 2003 cover version of that milestone did big business, it turned its attention to the bastardization of another ever-popular video store staple: the dubious factually based haunted house chiller; Amityville Horror; Weird-dangerous thriller of the 80s hitcher; And two of the best-selling slasher franchises of them all, Friday the 13th And Nightmare on Elm Street. Dunes also found a place for Leatherface’s origin story. The Texas Chainsaw Massacre: The Beginning.

Friday the 13th (2009) teaser trailer.

From the beginning, these films were reviled by critics and in fan circles. Their reputation has not improved. this chain saw The remake, which just turned 20 years old, remains the easiest target, thanks to what came of it: Much of the larger horror remake trend of the 2000s was a decade of throwback scares, a brutal raid on the genre’s vaults. Strong box office tracked movies. Performance. Likewise, new chain saw Do the mold for the platinum hills. Clear, airbrushed aesthetics. Mercenary repetition of shots and scenes and key movements. Sanding everything sand and weird art about the original. It all started with Marcus Nispel’s overtime trip to Texas.

The color-corrected look of Platinum Dunes was a more atmospheric variation on the sweat-covered glow and magic-hour glow of Bays’ own films, an irony: It was cinematographer Daniel Pearl who shot the original. chain saw and was brought back for a remake, which suggested they move away from the raw, thin grain of Hoopers’ film. There’s no point in making the exact same movie with the same look, Pearl they say Before the remakes were released, and he had a point. Why trace over a masterpiece? Of course, rebuilding one at all begs something close to the same question.

The Texas Chainsaw Massacre movie clip (2/5) – Bring It (2003) HD

Dunes renovations aren’t exactly softening their recycled materials. Many of them are as violent as horror movies splashed with a fresh coat of paint. If anything, some of them actually are More Explicit year 2003 power saw In many ways, it’s the most aggressive gore that its title suggests, replacing the original’s harrowing but not particularly gory doom with plenty of clear-cut carnage. The real thing about the remakes is that they give all the violence a mall-appropriate color, filming B-movie thrills like a fashion spread.

You could call it the “bification of horror,” except with very little of the abstract, kinetic, and downright maddening qualities of his headache-inducing work, the stuff that earned the director a following among mainstream junk art connoisseurs. Many film directors, such as Nispel and David Myers and Samuel Bayer, cut their teeth in commercials and music videos, just like Bay. They seemed similarly obsessed with surface effects, but without Bays’ signature quick-cut frenzy. They made movies as if they were still trying to sell something to the audience.

naughty photos

Narratively, the Dunes remake also feels a bit focused. They tempered their soft violence with odd sentimental revisions, small points in the plot aimed at satisfying a hypothetical multiple audience. You can almost hear the studio notes. Could the Sawyer family also have a cute mutant kid, like a little brother for Leatherface? What if Jason kidnapped beautiful women instead of butchering them? What if the hero is surrounded by hitcher Also had a hot girlfriend along for the ride?

Anyway, that last movie is probably the worst of the bunch. It takes a quirky road movie and flattens its character, coming out with a generic anti-personality look. hitcher. Any comparisons to the original, the leftmost Dunes acquisition, are pointless. as the same way, power saw The remake probably looks like watchable designer junk, at least if it’s viewed in a vacuum, it’s too intense. But he cannot escape from the shadow of the eternal glove of horror, which is bad to imitate. It has a 70s game quality to it, like watching models throw a costume party. The same prelude.

In contrast, public Amityville Horror With an implausibly earnest performance, Ryan Reynolds benefits from a retelling of a film that wasn’t a classic to begin with. And although Friday the 13th The remake doesn’t have some of the flavor of the fancier installments, it’s really not that much better, worse, or even different than what came before. F13 films have always been unashamedly lizard brain. At the very least, there are a few good kills in the remake (shame on the handsome one with a blade through his head), and that’s not all we really want from it. Friday the 13th?

Friday the 13th (2009) – Death of Nolan and Chelsea

At the risk of inciting a crowd like those who grill Freddy Krueger, let it be said that Elm St The remake is the most interesting Dunes cycle. Yes, it unashamedly rips off the original Wes Cravens, for its stolen copy-and-paste bravado, it scares the bedroom carnage, glove-in-the-bathwater, etc. more than it does anything new in the dream-killing department. But it also makes clear the implication that Kruger is a child abuser, an unpleasant twist that provides a new kind of fear absent in Craven’s film: here, Freddie becomes a veritable return of the repressed. become, a monster that rises from damaged recesses. Teenage Minds It’s a provocative trick that saves this film from being accused of mere lazy plagiarism.

NoElm StApart from the attractive editing, all these films are creatively questionable. They recall tasteless renovators who hijack historic properties and paint over their original casts. Or modern clothing companies that sell vintage t-shirts. They make brilliant multiplex products more violent than other periods of entertainment. They are monuments to a Hollywood that lacks new ideas and prime examples of commodity nostalgia.

New line cinema

There’s also something about the great 2000 popcorn flicks with this sickening violence. Many of the Platinum Dunes films that have been remade were undoubtedly influenced by Vietnam. War definitely exists The Texas Chainsaw Massacrewith its celluloid vision of madness and senseless death Friday the 13th, a portrait of a teenage slaughter with the effects of a visceral anatomical grave by a former war photographer. In updating those movies for the movies, Platinum Dunes abstractly captured the spirit of a different wartime, a bloodthirsty modern America watching mass carnage and destruction unfold on vivid video feeds. Reconstructions are like processed food for the era of the War on Terror.

There are plenty of reasons to dislike them, even those that are interesting in their flaws. What condemns Dunes is what condemns all classic remakes: there’s no real reason for them to exist beyond pure studio cannibalism. Many of them are simply unnecessary, which is arguably worse than bad. Hating them no longer seems necessary. They now look more like leftovers than the films they remake. They will be forgotten. Fans will run away from them forever.

Most Platinum Dunes remakes play on Max, if you’re into that sort of thing. For more information on AA Dowds’ writing, please visit the obituary page.






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